Thursday, January 25, 2007

Where I've Been Lately

Lately, I've only been averaging a blog post every four or five days. The reason is a blog page that I've been maintaining for my sophomore English class. I've been so excited about the quality of thought happening in our online learning environment that I've been spending most of my time helping the 39 of them get set up and blogging. But all the time I've been spending reading their blogs and maintaining our class page has brought to my attention several questions: What kind of writing is blogging? Is it the same as an essay? Should there be a rubric? Should it be different than for other (on paper) writing? Do we still need to write essays and other kinds of pieces on paper? If so, how do I make the connection, especially considering audience and purpose? Does it then get posted on the blogs?
Then, I went home and read Throughlines and Borderland where Bruce and Doug were writing about what I considered pretty close to the same subject, but from a reading perspective. What I think I'm going to do is to debrief with my sophomores, after a week and a half of blogging, about this question of reading/writing experiences. Results to follow...

Friday, January 19, 2007


I commented on a post of Bruce's about Francine Prose's new book about a month ago. We both got it as a Christmas gift. I've been making my way through it very slowly as I think Francine would want. This week I copied the following passage (the opening paragraph) into my commonplace book:

Can creative writing be taught?
It's a reasonable enough question, but no matter how often I've been asked it, I never know quite what to say. Because if what people mean is: Can the love of language be taught? Can a gift for storytelling be taught? then the answer is no. which may be why the question is so often asked in a skeptical tone implying that, unlike the multiplication tables or like the principles of auto mechanics, creativity can't be transmitted from teacher to student. Imagine Milton enrolling in a graduate program for help with Paradise Lost, or Kafka enduring the seminar in which his classmates inform him that, frankly, they just don't believe the part about the guy waking up one morning to find he's a giant bug (1).

I originally copied this paragraph because it says clearly and accurately what I think about teaching writing, although maybe the paragraph could sound a little bleak, I think it actually speaks to the art of the writing, and in that way the necessity of teaching how to read closely and appreciate good writing. But while I was copying phrase by phrase, I started to juxtapose Prose's ideas with what I've been thinking about today (a couple days ago at the time I was drafting): finishing my first semester grades and planning for second semester. At about the line with "multiplication tables and principles of auto mechanics" I started recalling the two meetings I was in today where we're trying to pick texts, essays, short stories, and poems that fit with themes, balance authorial voices by gender and culture, and have books that are both accessible and challenging and likeable. The other image from today that is recurring is the last thing I did before I walked out of my office to hit the gym, I looked over my officemate's shoulder as he was calculating his first semester grades and asked about his formula. All of this while copying the passage made me think, or really cement for me, how hard it is to work with numbers and grades in an English class (not considering the behavioral elements of turning in work on time, being prepared, etc.) I also thought about, and sometime I feel guilty about it, sometimes I feel good about it, how no matter what level, what texts, what thematic focus, all English classes are pretty much the same in design and scope: Read great writing, write a lot, think about how the stories connect you to the human experience.

Thursday, January 18, 2007

Web 2.0 Defined

A colleague sent this link to Discover. I'm thinking about using it as I introduce weblogs to my classes.

Thursday, January 11, 2007

Keep Your Enemies Closer

I started to learn about technology with a keep-your-enemies-closer mentality but realized yesterday that my mindset has changed. I was in my department head's office showing him diigo when another colleague remarked, "you guys are geeks." I guess he's right. Thanks Mark. In that spirit, I'm passing on this great blog entry about the best of Web 2.0, found in a new post from Will Richardson.

Tuesday, January 9, 2007

Related Links

While thinking about my last post, I ran across a really cool site about Leonardo da Vinci on another cool academic blog. Take a look.

Tony Soprano and Quantum Thinking


When I moved to Hawaii almost two years ago, my neighbors turned me on to The Sopranos. Once I'd caught up to them, which meant watching three seasons in two weeks or so, we'd spend evenings putting down two or three episodes until we had exhausted every one. This year season six began. Neither of us has HBO, so I turned to Netflix for my Soprano fix. This past weekend, I made my way through the sixth episode. Up to this point, one of the more obvious themes of the show has been the line between good and evil. One minute Tony is in his psychiatrist's office talking about his issues with his mother or his troubles with his kids, real life scenarios that most of us can empathize with. Soon after, he's ordering a murder from the back office of a stripclub. And then he makes decisions that blur the line, like when he orders a hit on one of his own men after the senseless abuse and murder of an innocent stripper.

But this season, Tony spent two episodes in a coma after being shot by his borderline senile uncle. Waking up, he finds himself in a room next to a rocket scientist (Tony's epithet), really, a quantum physicist. Tony, after the obligatory white light, is already searching for something, leaving him receptive to his new neighbor's ideas. This is where the good vs. evil conflict of which Tony himself seems to contemplate often, if indirectly, in his psychiatrist's office and his dreams/nightmares, gets examined directly. Tony is surprised and maybe impressed with the stoic reaction of his neighbor after a prognosis of a short, futile fight against an aggressive, long-undetected cancer. He learns that it's the physicist's view of the world that keeps perspective for him. He explains that he doesn't see good-bad, good-evil, he just recognizes the world as a collection of particles swirling around, bumping into each other, reacting, and that the forms (people, places) we perceive are our own interpretation of the dance of these particles. In other words, everything is interconnected. I'm not sure yet how Tony will use this information...

So I decided to get back to a text that I read and taught in my Identity and Culture course last year: The Dancing Wu Li Master by Gary Zukav. Here's an excerpt explaining what Tony learns in season six:

According to this philosophy [Newtonian (old) Physics], we may seem to have a will of our own and the ability to alter the course of events in our lives, but we do not. Everything, from the beginning of time, has been predetermined, including our illusion of having a free will. The universe is a prerecorded tape playing itself out in the only way that it can. The status of men is immeasurably more dismal than it was before the advent of science. The Great Machine runs blindly on, and all things in it are but cogs.
According to quantum mechanics, however, it is not possible, even in principle, to know enough about the present to make a complete prediction about the future. Even if we have the best possible measuring devices, it is not possible. It is not a matter of the size of the task or the inefficiency of detectors. The very nature of things is such that we must choose which aspect of them we wish to know best, for we can know only one of them with precision (28).



Tony's new friend uses the analogy of winds and other weather systems moving around the globe to illustrate the basic principles of interconnectedness. In Dancing Wu Li Masters, the definition is expounded and the previous excerpt speaks to what the interconnectedness implies, that we can only know or estimate a little information. We don't see how it connects with everything else, therefore, we can't ever predict anything with any certainty. Zukav explains further:

There is another fundamental difference between the old physics and the new physics. The old physics assumes that there is an external world which exists apart from us. It further assumes that we can observe, measure, and speculate about the external world without changing it. According to the old physics, the external world is indifferent to us and to our needs (31).


According to quantum mechanics there is no such thing as objectivity. We cannot eliminate ourselves from the picture. We are a part of nature, and when we study nature there is no way around the fact that nature is studying itself. Physics has become a branch of psychology, or perhaps the other way round (33).



I'm not really sure what all this has to do with being a teacher, but I have some suspicions. A lot of what we ask students to do is done within an academic bubble-world. There's an omnipresent echo of "in the real world..." Although there's not as much of that here at Punahou, I think it's still a student perception. And I also think that blogs are an access point for quantum thinking, where the act of thinking and writing changes thinking and writing. Thoughts?

Thursday, January 4, 2007

Re-Visioning



I haven't posted since last year because I decided to avoid glowing screens during my trip to Seattle over winter break. Everything was cold-crisp there and with only six or seven hours of daylight, I was provided the opportunity to think and look for some clarity for the new year, new semester, new group of students, and new use of blogs in my curriculum.

Originally, I started this blog as an experiment to figure out how to use blogging tools, where they might fit in an English class, and what it feels like to participate in a collective, ongoing dialogue about education. Now I find myself re-focusing and redirecting. This time of year and semester, I always find myself doing this, and usually there's a feeling of solitude that goes along with the questioning of practice. So I was relieved to read my colleague Bruce's recent post about his own next-semester-reflection and the link to Borderland where Doug Noon asks similar questions of his practice, specifically his blogging. Both posts helped me get some perspective on what I've been doing and motivated me to get back in the game today.

Friday, December 8, 2006

Freshman DigiFolio


This comes from The Reflective Teacher. I found it on Todd Finley's blog. It's not an answer to the questions in my previous post but it looks like what we're trying to put together.

Students, Please Read My Comments Carefully

I've always been suspect of the effectiveness of those scribbly comments I spend hours writing on students papers. In an effort to make the most of this feedback exchange, I've tried all sorts of things, like commenting on rough drafts, making comments and filling out a rubric but not writing a grade, having students respond in writing to comments when I give the paper back, electronic comments on Word, voice comments, individual conferences, etc. Today, Will Richardson's post grabbed my attention, discussing the issue of commenting on papers and blogs, and what some new technology is going to allow us to do. Essentially, comments will be able to be placed within a blog post, and the blog becomes a digital writing workshop.

Best Education Blogs

I read a blog called EduBlog Insights where today there's a post with a link to the nominations for the 2006 EduBlog Awards. This is a great resource.

Wednesday, December 6, 2006

Layers Of Literacy




For the last year or so, the freshman English subdepartment has been working towards a common experience for students no matter which teacher they have. At some points in our discussion, this common experience meant an assessment we all give, then it meant using a common language for writing and reading. We've distilled it down to a two-part end-of-the-semester project. One part is teacher-driven, consisting of a new piece of reading, a student-led discussion, and a written response focusing on some significant detail from the story. Part two is student-driven and will be in the form of a digital portfolio of work that shows growth in the freshman year. The current discussion has revolved around the platform for the digifolio. We have to decide whether the portfolio should be strictly text-based, or whether students should be able to also post multimedia work. This led to the question of whether or not we give the same value to this kind of work in an English class. And what value do other kinds of literacy have in an English class? How do we, as teachers, know quality multimedia expression? And how do we teach students to do it?

I'm excited to say that the portfolio, for my class at least, will be in the form of a blog. I'm imagining examples of work as posts, and podcasts as reflections on the work. I've also been taking digital photos of other kinds of assignments the students have done, like storyboards based on direct quotes, methods of characterization pictures, amongst other things.

But I've been thinking mostly about this question of valuing other forms of literacy. Is writing going to be pushed to the back in exchange for flashier expressions of thought? No. Because if we ask students to not just post their work as a virtual notebook but to interact with each other by commenting and responding, Student A might not know how to precisely express his/her thoughts in writing but can do it with a short video. Then Student B is asked to respond to A's video in writing. B can read the comment and begin to formulate his/her own written response after seeing how others respond to the video expression in writing. But again, we'll have to design rubrics for other forms of literacy and learn them ourselves.

The pictures at the top of this post are examples of student work.

Pearl Jam Prescience


On December 2nd, Pearl Jam played the Blaisdell Arena in Honolulu. I was there, and it'd been 15 years in the making. As a teenager in the Seattle area during the early 1990's, Eddie Vedder was my idol. He was my inspiration during the freshman talent show when my band and I decided not to compromise our lyrics after they were deemed inappropriate by the administration. (They had a "Jeremy-esque" theme). My friend Tim gives an accurate account of the PJ show.
As a pre-show fun activity, some friends and I decided to do a little research and generate our own predicted playlists for the show for a little wagering. We bet on things like first song, closing song, etc. I was feeling very Pearl-prescient, scoring with calls like, "Oceans" and "Why Go." But what made the show especially powerful and put it in the category, like Tim writes, of "best show ever," was the way the songs seemed to speak to Hawaii. Here's a found poem of PJ lyrics that do just that:

Lemon yellow sun
Ruled his world
The oceans away
Guide me towards you
The sea will rise...
Please stand by the shore
I'll ride the wave
Where it takes me
I'll wait up in the dark
For you to speak to me
To the ocean of my platitudes
Longitudes, latitudes, it's so absurd

Tuesday, December 5, 2006

Creativity is...



…creativity is continual surprise, and only because it is surprise can it be truth. When we grow self-conscious we hide, we cloak, we disguise, we lie. So the true writer artist always hopes, through working swiftly with his emotions to spring forth the delights and terrors, to trap them before they escape.


Ray Bradbury

Image found through web zen